I once had a sample of the 2012 PM from Barikenn. It was also quite dark and unusually caramel-like for the profile.
So the wax look is kind of… well, I’m curious to see what it actually looks like (and how many complaints come in about damaged deliveries). @RobBauer who is actually responsible for the images/artwork on the labels (Sins, Virtues, Swell)?
Another HGML with virgin oak maturation — memories are awakening whether the new bottling can match that quality ![]()
It would be absolutely amazing if it could live up to the 2020 HGML… the bottling for the 13th GRF was unfortunately quite a bit, how do I put it, less exciting ![]()
Looks absolutely insane and looking forward to tasting it !
By any chance, do you have information about RCL and its ester rate, especially among the Clarendon marks ?
I was looking for a special bottle for my 30th anniversary, looks like I found it, pre-ordered it even though it will arrive late (mid-end October for the 8th for me)
Very excited
It was the same with me with the Wild Card #9 from Swell, which I will get in December :') The point is, there is gonna be a bottle you will associate with your Bday, that’s what’s cool ![]()
Indeed! I will try to plan a birthday tasting around it so maybe November will be fine, longer celebration haha
With the Bacchanalia Project, we’re definitely taking a high risk. As shown in the mockups, none of the bottles will be perfect. Quite the opposite, in fact. That’s precisely the point!
Each bottle will be an individual »sculpture« with edges and corners, unevenness and cracks. You’ll even have to »work« a bit to open the bottle. In other words, a fill as imperfect and idiosyncratic as life itself. ![]()
Doing something that no one has done before.
Regarding your question about the labels. I usually have a pretty clear vision or idea of what symbolism, art, and history/message I want on the respective label for the respective barrel. Which figures should do what, for example. The result is always a collaboration between intensive designer work (here Bastien from Swell), a bit of AI, and a lot of Adobe Photoshop/Illustrator
Cheers![]()
I’m glad that Mika’s wax is a bit more flexible. ![]()
If it were the brittle wax that some Armagnac houses use, I’d personally probably just open the bottle by smashing it and then filtering it ![]()
I think @BananaJoe would appreciate it if they split slightly on the break.
At least the ones for the splits
I opened that Armagnac from TWJ recently. The wax was like cement. Hard and crumbly.
And I can already picture poor Daniel having to open 5 bottles of it in a row ![]()
Open with Stanley knife over trash bin ![]()
Been there, done that, not doing it tomorrow ![]()
The bottle really does look fantastic though! ![]()
Hi Rob!
Would love to hear more on how the selection process went, and how you decided to go with this Clarendon
I really liked the history with the Bowmore, how about that one? Would you call it “decadent”, as the bacchanal suggests?
I just hold them over the fire and let the wax melt ![]()
60,4% alcohol ![]()
put on your oven mittens!
Yeah absolutely! The one from Swell is really flexible. You can easily cut around it with a knife.
With the Armagnac stuff you sometimes go crazy with all that rigid crumbly mess!
Honestly, the price for the REV sounds almost too good these days





