Upcoming rum releases

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I once had a sample of the 2012 PM from Barikenn. It was also quite dark and unusually caramel-like for the profile.

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So the wax look is kind of… well, I’m curious to see what it actually looks like (and how many complaints come in about damaged deliveries). @RobBauer who is actually responsible for the images/artwork on the labels (Sins, Virtues, Swell)?

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Another HGML with virgin oak maturation — memories are awakening whether the new bottling can match that quality :thinking:

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It would be absolutely amazing if it could live up to the 2020 HGML… the bottling for the 13th GRF was unfortunately quite a bit, how do I put it, less exciting :rofl:

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Looks absolutely insane and looking forward to tasting it !

By any chance, do you have information about RCL and its ester rate, especially among the Clarendon marks ?

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I was looking for a special bottle for my 30th anniversary, looks like I found it, pre-ordered it even though it will arrive late (mid-end October for the 8th for me)

Very excited

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It was the same with me with the Wild Card #9 from Swell, which I will get in December :') The point is, there is gonna be a bottle you will associate with your Bday, that’s what’s cool :wink:

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Indeed! I will try to plan a birthday tasting around it so maybe November will be fine, longer celebration haha

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With the Bacchanalia Project, we’re definitely taking a high risk. As shown in the mockups, none of the bottles will be perfect. Quite the opposite, in fact. That’s precisely the point! :smiley: Each bottle will be an individual »sculpture« with edges and corners, unevenness and cracks. You’ll even have to »work« a bit to open the bottle. In other words, a fill as imperfect and idiosyncratic as life itself. :flexed_biceps:
Doing something that no one has done before.

Regarding your question about the labels. I usually have a pretty clear vision or idea of what symbolism, art, and history/message I want on the respective label for the respective barrel. Which figures should do what, for example. The result is always a collaboration between intensive designer work (here Bastien from Swell), a bit of AI, and a lot of Adobe Photoshop/Illustrator :call_me_hand: Cheers​:tumbler_glass:


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I’m glad that Mika’s wax is a bit more flexible. :+1:
If it were the brittle wax that some Armagnac houses use, I’d personally probably just open the bottle by smashing it and then filtering it :wink:

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I think @BananaJoe would appreciate it if they split slightly on the break. :sweat_smile: At least the ones for the splits

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I opened that Armagnac from TWJ recently. The wax was like cement. Hard and crumbly.

And I can already picture poor Daniel having to open 5 bottles of it in a row :face_with_hand_over_mouth:

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Open with Stanley knife over trash bin :flexed_biceps:
Been there, done that, not doing it tomorrow :wink:

The bottle really does look fantastic though! :star_struck:

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Hi Rob!
Would love to hear more on how the selection process went, and how you decided to go with this Clarendon :slight_smile: I really liked the history with the Bowmore, how about that one? Would you call it “decadent”, as the bacchanal suggests?

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I just hold them over the fire and let the wax melt :slight_smile:

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60,4% alcohol :scream::exploding_head: put on your oven mittens!

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Yeah absolutely! The one from Swell is really flexible. You can easily cut around it with a knife.
With the Armagnac stuff you sometimes go crazy with all that rigid crumbly mess!

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Honestly, the price for the REV sounds almost too good these days

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